Sensio Signs a First Contract for the Integration of Its Technology Into a 3D TV Designed By Kerner Optical R&D

Montreal, Quebec – SENSIO Technologies Inc. (“SENSIO”) (TSX Venture Exchange Inc.: SIO), the inventor of the SENSIO®3D technology, announces that its technology will be integrated for the very first time into a 3D television intended for the consumer market. “We are extremely pleased with this milestone agreement we just reached with Kerner Optical Research and Development Corporation (“KORD”). The signature of this first contract falls within the timeline we had set and is the result of our efforts aimed at integrating our technology into a mass consumption device”, explains Nicholas Routhier, President and CEO.

This recently entered into agreement will allow KORD to integrate the SENSIO®3D technology into the new LCD HD SpectronIQ television, as well as the JVC 2D to 3D real-time conversion technology, for which SENSIO obtained a license in October 2006. The new television is currently being developed as per a contract between KORD and SpectronIQ. This agreement follows the Letter of Intent announced last June, which expressed KORD’s interest for the SENSIO®3D technology.

“We are thrilled to be working with SENSIO, the only company currently offering a full 3D home theater solution. The quality of the 3D presentation, combined with their diversified content offering, prove that SENSIO is well on track to becoming a true standard on the market”, says Mark Anderson, KORD’s President and Chief Executive Officer.

For his part, Mr. Routhier is very happy to be partnering with industry leader KORD to make 3D theater more accessible at home. “KORD’s creativity and sense of innovation are undeniable assets for the development of the 3D home theater market.”

This first commercial success will generate recurring incomes for SENSIO, as the contract provides for a base amount, as well as royalties on every unit sold.

About SENSIO

Founded in 1999, SENSIO Technologies Inc. (TSX.V: SIO), headquartered in Montreal, Canada, develops and markets forward-looking stereoscopic technologies designed to offer the most advanced and immersive cinematographic experience available. Its flagship technology, SENSIO®3D, allows the high-quality distribution of 3D content through conventional 2D channels and playback on any display device, including plasma TVs, HDTV and glass-free 3D displays. Working with major Hollywood studios and large format 3D film producers, SENSIO has built up one of the world’s largest library of 3D movies for the home entertainment market.

SENSIO® is a trademark of SENSIO Technologies Inc.

About KORD

In August of 2006, a group of investors purchased Kerner Optical (KO) from Industrial Light & Magic (ILM). As part of ILM, KO helped contribute to ILM’s fifteen Academy Award winning motion pictures through its physical effects, model shop and camera group. Kerner Optical Research and Development, Inc (KORD) was the next natural evolution with its 30 years of movie making history and innovation. Leveraging the strengths of KO technical expertise and SpectronIQ consumer electronics production and distribution chain, KORD has been created to develop and license software and technology to display movies, games and internet media in extraordinary new ways.

KORD brings new concepts, techniques and systems to life. Our projects involve three-dimensional stereoscopic image acquisition and delivery as well as enabling technologies for feature film, simulation and immersive training environments. We are a high-end incubator within a world renowned studio. Our staff is surrounded by top movie industry professionals with years of expertise. KORD’s primary value is our technological innovation focused on leveraging practical creative problem solving into next generation tools for client and industry professionals.

Sky to Make TV History with the Launch of 3D TV

Sky 3D channel to launch in April with live Premier League football every week, starting with Arsenal versus Manchester United 

ISLEWORTH, ENGLAND, February 03, 2010 /24-7PressRelease/ — Sky has announced that it will launch Sky 3D, Europe’s first dedicated 3D TV channel, this April. As part of the final preparations for this ground-breaking launch, Sky will preview the new service with a world first on Sunday 31 January 2010, becoming the first TV company anywhere to broadcast a live 3D TV sports event to a public audience. The Premier League clash between Arsenal and Manchester United will be filmed in 3D and broadcast over the Sky platform to selected pubs around the UK and Ireland, with their customers becoming the first audiences anywhere in the world to experience live Premier League in 3D.

To support this landmark broadcast, the nine pubs – located in London, Manchester, Cardiff, Edinburgh and Dublin – have been kitted out specially with some of the first ’3D Ready’ TV sets to reach the UK and Ireland. As 3D TVs become more widely available, Sky will roll out its 3D channel to hundreds of pubs from April, allowing football fans across the country the opportunity to experience a live Premier League match in 3D each week.

Once 3D TVs begin to reach the consumer market later this year, Sky will then make Sky 3D available to all Sky+HD customers, giving millions of people the opportunity to watch a wide range of content in 3D, including movies, sport, documentaries, entertainment, and the arts.

Sky 3D works with all existing Sky+HD boxes and will initially be introduced at no extra cost for customers who subscribe to Sky’s top TV package and the Sky HD pack. Sky 3D will also be compatible with all 3D Ready TVs coming to the UK and Ireland this year, including all models from Sony, Samsung, LG and Panasonic.

To make the 3D preview a reality, Sky Sports will produce two edits of its live coverage of Sunday’s game at the Emirates Stadium, one for its HD channel feed and another dedicated to 3D. Eight specially engineered 3D camera rigs will house sixteen of Sky’s high definition cameras, to provide comprehensive stereoscopic coverage from all angles. The 3D broadcast will be supported by Sky’s dedicated 3D production team and purpose built 3D outside broadcast truck, which will enable live mixing between camera positions, slow motion replays and the use of innovative 3D graphics. There will also be a dedicated commentary team to support the 3D edit.

Jeremy Darroch, Sky’s chief executive, said: “3D is without doubt one of the most talked-about developments in television for many years. Sky has always innovated to bring customers the best possible viewing experience, so we fully intend to take the lead in bringing the spectacle of 3D to the UK and Ireland.”

About Sky
Sky is the UK’s leading entertainment and communications company, operating the most comprehensive multi-channel television service. More than 9.7 million homes enjoy the entertainment, movies, news and sports channels. In delivering entertainment through the TV, PC and mobile, customers have more control and flexibility over what, how and when they watch. Over 2 million enjoy the picture and sound quality of Sky+HD which offers 37 dedicated HD channels.

Sky+HD customers can record at the touch of a button, record two channels while watching a third previously recorded programme, automatically record new episodes of a favourite series, pause and rewind live TV and remote record. Customers can also watch Sky Anytime – a selection of the weeks best TV available on demand offering up to 90 hours of HD programming. HD ready TV with Sky+HD is Supertelly.

Panasonic Full HD 3D Theatre at the Olympic Games

OSAKA, Japan–(BUSINESS WIRE)–Panasonic Corporation, the Official Worldwide Olympic Partner in the Audio and Visual Equipment category for the Vancouver 2010 Olympic Winter Games, today opened the doors of its Olympic Pavilion “Panasonic FULL HD 3D THEATRE” featuring two 103-inch full HD 3D theatres at LiveCity Yaletown, official celebration site of the 2010 Olympic Winter Games.

“With Panasonic’s new line of full HD 3D products which will be launched in North America this spring, we will conquer that as well.”

Open February 12-28 from 11 am to 11 pm daily, the theatres will screen high definition, three dimensional images of the Opening Ceremony, highlights footage of the 2010 Winter Games, as well as the video of Sarah Brightman performing Panasonic’s song, “Shall Be Done”. There is no entrance fee for Panasonic’s Olympic Pavilion at the LiveCity Yaletown site in David Lam Park.

“This theatre is our way of sharing the passion of the 2010 Winter Games with Vancouver residents and visitors from around the world,” says Takumi Kajisha, Managing Executive Officer, Panasonic Corporation. “Panasonic believes 3D systems will greatly enhance at-home viewing of future Olympic Games, combining the enjoyment of watching the greatest sports event with the stereoscopic images of full HD 3D.”

Panasonic’s Full HD 3D Theatre at the 2010 Winter Games offers the public the first opportunity to experience a new era of immersive visual entertainment that will soon be available for consumers to enjoy at home. It is a 3D experience that easily rivals the best that can be seen in cinemas.

“We’ve successfully moved from black and white, to color, to high definition television. But immersive, totally realistic 3D imagery has been the final frontier,” said Eisuke Tsuyuzaki, Chief Technology Officer, Panasonic Corporation of North America. “With Panasonic’s new line of full HD 3D products which will be launched in North America this spring, we will conquer that as well.”

With Panasonic’s frame sequential technology, images are alternately reproduced at 60 frames per second for each eye for a total of 120 frames per second. These images are viewed alternately through high-precision 3D eyewear with shutters driven in synchronization with the video. As a result, each eye views a separate 1920 x 1080 full-HD image for beautiful, clear 3D images with no degradation in quality.

Panasonic has always been a leader in standardizing consumer electronic products and is proud that Panasonic full HD 3D technology has greatly contributed to the standardization of Blu-ray 3D™ which was announced by the Blu-ray Disc Association at the end of last year.

In January 2010, Panasonic announced its latest twin-lens full HD 3D camera recorder, and a Full HD 3D home theatre system (50?, 54?, 58? and 65? sizes) at the International Consumer Electronics Show (CES) in Las Vegas. The full HD 3D home theatre system is expected to be introduced to the North American market in the spring of this year.

Highlight videos of 2010 Winter Games screened in the full HD 3D theatre are sourced from the International Olympic Committee. The theatre has been developed in cooperation with the Vancouver Organizing Committee for the 2010 Olympic and Paralympic Winter Games (VANOC), the City of Vancouver and Canada’s Olympic Broadcast Media Consortium, the official Canadian broadcaster of the 2010 Winter Games.

Official Worldwide Olympic Partner
Panasonic is proud to support the Olympic movement—aimed at promoting world peace through sports—as an Official Worldwide Olympic Partner in the Audio and Visual Equipment category for more than 20 years since The Olympic Partner (TOP) Program commenced at the Calgary Olympic Winter Games in 1988. Under the slogan of “Sharing the Passion,” Panasonic contributes to the success of the Olympic Games through its technology. In 2007 Panasonic renewed the partnership with the International Olympic Committee through to the 2016 Olympic Games in Rio de Janeiro.

Review 3D TV Launches

Everyone wants to know more about 3D TV and how it’s going to change the way we watch television. Will it make watching television more exciting? Will it make old televisions obsolete? How much does this new technology cost? The answer to these questions and many more will be explored at Review 3D TV.

As an evolutionary step, 3D TV will serve us as the most influential mass media on the market when it is fully deployed, much like regular television did in the past. The major difference for consumers will be experiencing 3D at home instead of having to go to the theatre.

The popularity of the movie Avatar shows the publics’ appetite for quality 3D entertainment. While Avatar is not the first movie in 3D to capture the publics’ attention, it is one of the best examples of the level of interest out there.

Retrevo Inc. anticipated that the new Avatar 3D movie was the perfect test bed to gauge the publics’ interest in 3D TV. They asked consumers questions such as; their 3D TV awareness and purchase considerations both before and after they saw the movie Avatar. The Retrevo Inc. study concluded that there was a considerable increase in awareness and willingness to purchase a 3D TV after viewing the Avatar movie.

Prior to watching the movie Avatar, consumers who were polled indicated 39 percent awareness that they would be able to watch 3DTV in the near future. After watching the movie Avatar, the same demographic indicated a 60 percent awareness level. Between advertisements, blogs, news, and other popular broadcast mediums, it appears that awareness of 3D TV technology is on the rise. Adding to the surge of 3D TV awareness was its debut at the CES 2010 in Las Vegas early this year.

The new interest in 3D TV is great news for TV manufacturers. With awareness on the rise, this will set the stage for many product roll-outs. TV manufacturers who can adopt producing 3D TV’s with the same efficiency they do with their other television lines will likely find the new market very profitable. With strong sales in HDTV sets, whether it’s plasma or LCD, it appears the market is ready for 3D TV.

Other interesting data that came from the Retrevo Inc. study indicated that the majority consumers will only pay twenty five dollars or less for their 3D glasses to watch 3D TV at home. Additionally, sixty-five percent of the consumers polled indicated that ten dollars would be their limit. With proper marketing of benefits and features that various manufacturers will introduce into the 3D glasses market, we expect the median price for glasses will likely exceed thirty dollars in a couple of years. There’s even been speculation that 3D glasses could become obsolete as some television manufacturers plan on producing 3D TV’s that do not require them.

Although 3D TV is a relatively new term, even for 2010, it’s already clear that the idea is a winner with consumers. As this year progresses, you can expect to hear much more about 3DTV and everything that comes with it. Always check back at www.review3dtv.com for the most up-to-date information, articles, and reviews about everything that is 3D TV.

Are Consumers Ready for a 3D TV Upgrade?

With the buzz surrounding 3D TV, one has to wonder if consumers are really ready for an upgrade. After already spending thousands within the last five years to upgrade to flat screen technology, is the majority really willing to pull out their wallets again? Furthermore, is 3D TV going to be worth the premium price that TV manufacturers will charge for it?

Looking back on what consumers typically spent on televisions, you soon realize that TV manufacturers have really been raking it in. It was only until the introduction of flat screen technology that encouraged TV manufacturers to lower their prices on their CRT models. Until then, prices held steady throughout the years.

With the introduction of 3D TV we might expect the price of regular flat screen televisions to come down dramatically, much like what happened with the price of CRT televisions. But with flat screen televisions already at historically low prices, it’s unlikely that they have any room to bring prices down any further. A 50” HDTV LCD, flat screen television sold anywhere from $4000 to $6000 per unit only five years ago. That same television could easily be bought for under $1000 today! With dramatic price drops like these, you can see that there is little room left for price dropping.

We can expect the price of a 3DTV to cost well above what a typical flat screen, HDTV currently costs. You’ll also require a 3D TV player as well, at least until broadcasters are capable of streaming it over cable. With limited content available and the requirement to purchase specialized equipment, it’s clear that most consumers won’t be upgrading to 3D TV anytime soon.

Will 3D TV Flop or Not?

There’s always an abundance of scepticism when it comes to accepting new technology into our lives. With the emergence of 3D TV on the horizons, it appears that some are predicting it will be a flop. At Review 3D TV, we think calling it a flop at this point is not only disappointing, but even disturbing.

3D TV is the buzz word of 2010 as television manufacturers roll out several models capable of displaying 3D content. While not everyone will rush out to purchase a 3D Television immediately, they will be evaluating what’s available. As television manufacturers battle for top position, only the early adopters will dish out the high price in the beginning.

When the general public finally understands how to determine 3D TV quality, we predict there will be a surge in purchases. Our research suggests that pricing for a 3D TV will only be slightly more than a typical flat screen HDTV. The public is not going to wait ten years for the price to come down like they did with the introduction of flat screens when they first came out.

One major hurdle that television manufacturers are facing before 3D Television sales will take off is content. Consumers simply won’t purchase a 3D TV until they are guaranteed to be able to watch the content they want on it. Several inroads are being made to produce content to match the anticipated demand for 3D TV, but will it be enough?

This summer ESPN will launch an entire station exclusively dedicated to broadcasting in 3D. The scheduled launch is June 11, 2010, and is being touted as the first all 3D television network. This extremely bold gamble by ESPN may or may not pay off. With limited broadcasting available, it’s really hard to say if this will inspire sports fans to run out and purchase a 3D Television. They plan on only airing new content on the new channel which means there will be plenty of blackout periods.

Another point of contention towards assuming 3D TV will flop is the fact that 3D Glasses are required to watch content. We believe that having a set of 3D Glasses on hand to watch 3D TV won’t be a big deal. Sure they will cost a little money and they might be awkward at first, but everyone will become accustom to wearing them. There will be a variety of styles available to suit every taste and size at a price you can afford.

3D TV will be big this year and will continue to grow in popularity every year thereafter. Some folks have prejudged 3D TV too early and have based their harsh criticism on early models that will be obsolete in six months. As 3D TV evolves, so will the interest and acceptance of this new medium. When content becomes available in 3D you will insist on seeing it the way it was meant to be seen. In fact, watching television the old way will probably seem boring.

For those who are saying 3D TV will flop, perhaps they should re-evaluate where they stand. 3D TV is the next big thing in television and the public is eager to learn more. As the technology evolves, it will become a “must have” for consumers globally.

Early Years of 3D Television and Where We Are Now

3D technology dates back to the beginning of when photography was first introduced. In 1844, David Brewster invented the Stereoscope, a gadget that could take photographic pictures in 3 dimensions. The Stereoscope was then improved by Louis Jules Duboscq and a famous picture of Queen Victoria was displayed at The Great Exhibition in 1851. By the Second World War, stereoscopic cameras were already common.

3D movie technology was parallel to 3D pictures and imaging. In 1855 the Kinematoscope was introduced. The first anaglyph movie was created in 1915 and in 1922 the first public 3 dimension film was displayed called “The Power of Love”. Following that, in 1935 the first 3D color movie was created.

In the early fifties when Television became popular in the United States, many 3D films were produced. The first film was Bwana Devil from United Artists that could be seen all across the US in 1952. A year later, in 1953, came the 3D film “House of Wax” which also featured another innovation called 2D sound. Alfred Hitchcock originally made his film Dial M for Murder in 3D, but for the purpose of profitability the movie was released in 2D because not all theatres were able to display the format.

Recently the British Sky Broadcasting company, better known as Sky UK, announced that they will launch a Sky 3D channel in April 2010. It will bring content such as sports, entertainment, and other 3D television programming that will be accessible to the public. The new channel will require a 3D capable TV and equipment by Sky UK.

On January 1, 2010, the world’s first 3D channel called SKY 3D started broadcasting nationwide in South Korea. The channel’s tagline is “World No.1 3D Channel”. This 24/7 station uses Side by Side technology at a resolution of 1920x1080i. 3D programming includes sports, animation, education, documentary, as well as performances.

A full 24 hour broadcast channel was announced at the 2010 Consumer Electronics show, held in Las Vegas as a joint venture from IMAX, Sony, and the Discovery channel. As the year progresses, consumers can expect to hear more such announcements as the broadcast industry prepares to introduce 3D TV to consumers globally.

3D TV Technology Overview Explained

Single-view displays as opposed to 3D displays, project only one stereo pair at a time. Multi-view displays either use head-tracking to change the view depending of the viewing angle, or simultaneously project multiple independent views of a scene for multiple viewers (automultiscopic); such multiple views can be created on-the-fly using the 2D plus depth format.

Various other display techniques have been described, such as holography, volumetric display and the Pulfrich effect, that was used by Doctor Who for Dimensions in Time in 1993, by 3rd Rock From The Sun in 1997, and by the Discovery Channel’s Shark Week in 2000, among others. Real-Time 3D TV (Youtube video) is essentially a form of autostereoscopic display.

Stereoscopy is most widely accepted method for capturing and delivering 3D video. It involves capturing stereo pairs in a two-view setup, with cameras mounted side by side, and separated by the same distance as between a person’s pupils. Convincing scene depth effects can only be achieved with exactly the same viewing screen size/distance ratio as intended at the moment of capture/rendering, or the projected image will have impossible separation and convergence angles, especially for close-up objects.

Multi-view capture uses arrays of many cameras to capture a 3D scene through multiple independent video streams. Plenoptic cameras, which capture the light field of a scene, can also be used to capture multiple views with a single main lens[4]. Depending on the camera setup, the resulting views can either be displayed on multi-view displays, or passed for further image processing.

After capture, stereo or multi-view image data can be processed to extract 2D plus depth information for each view, effectively creating a device-independent representation of the original 3D scene. This data can be used to aid inter-view image compression or to generate stereoscopic pairs for multiple different view angles and screen sizes.

2D plus depth processing can be used to recreate 3D scenes even from a single view and convert legacy film and video material to a 3D look, though a convincing effect is harder to achieve and the resulting image will likely look like a cardboard miniature.

Efforts Underway to Standardize 3D TV Technology

The entertainment industry is expected to adopt a common and compatible standard for 3D in home electronics. To present faster frame rate in high definition to avoid judder, enhancing 3-D film, televisions and broadcasting, other unresolved standards are the type of 3D glasses (passive or active), including bandwidth considerations, subtitles, recording format and a Blu-ray standard.

With improvements in digital technology, in the late 2000s, 3D movies have become more practical to produce and display, putting competitive pressure behind the creation of 3D television standards. There are several techniques for Stereoscopic Video Coding, and stereoscopic distribution formatting including anaglyph, quincunx, and 2D plus Delta.

Content providers, such as Disney, DreamWorks, and other Hollywood studios, and technology developers, such as Philips, asked SMPTE for the development of a 3DTV standard in order to avoid a battle of formats and to guarantee consumers that they will be able to view the 3D content they purchase and to provide them with 3D home solutions for all pockets. In August 2008, SMPTE established the “3-D Home Display Formats Task Force” to define the parameters of a stereoscopic 3D mastering standard for content viewed on any fixed device in the home, no matter the delivery channel. It explored the standards that need to be set for 3D content distributed via broadcast, cable, satellite, packaged media, and the Internet to be played-out on televisions, computer screens and other tethered displays.

After six months, the committee produced a report to define the issues and challenges, minimum standards, and evaluation criteria, which the Society said would serve as a working document for SMPTE 3D standards efforts to follow. A follow-on effort to draft a standard for 3D content formats was expected to take another 18 to 30 months.

Production studios are developing an increasing number of 3D titles for the cinema and as many as a dozen companies are actively working on the core technology behind the product. Many have technologies available to demonstrate, but no clear road forward for a mainstream offering has emerged.

Under these circumstances, SMPTE’s inaugural meeting was essentially a call for proposals for 3D television; more than 160 people from 80 companies signed up for this first meeting. Vendors that presented their respective technologies at the task force meeting included Sensio, Philips, Dynamic Digital Depth (DDD), TDVision, and Real D, all of which had 3D distribution technologies.

However, SMPTE is not the only 3D standards group. Other organizations such as the Consumer Electronics Association (CEA), 3D@home Consortium, ITU and the Entertainment Technology Center at USC’s School of Cinematic Arts (ETC), have created their own investigation groups and have already offered to collaborate to reach a common solution. Other standard groups such as DVB, BDA, ARIB, ATSC, DVD Forum, IEC and others are to be involved in the process.

MPEG has been researching multi-view, stereoscopic, and 2D plus depth 3D video coding since the mid-2000s;[citation needed] the first result of this research is the Multiview Video Coding extension for MPEG-4 AVC that is currently undergoing standardization. MVC has been chosen by the Blu-ray disc association for 3D distribution. The format offers backwards compatibility with 2D Blu-ray players.

HDMI version 1.4, released in June 2009, defines a number of 3D transmission formats. The format “Frame Packing” (Left and right image packed into one video frame with twice the normal bandwidth), is mandatory for HDMI 1.4 3D devices. All three resolutions, 720p50, 720p60 and 1080p24, have to be supported by display devices, and at least one of those by playback devices. Other resolutions and formats are optional.

3D TV Conference 2010

The 3DTV Conference 2010 will be held on June 7-9 2010, in hotel Scandic Rosendahl, Tampere, Finland. Tampere has been named the most desirable place to work, live and study in Finland and hotel Rosendahl offers a peaceful experience of Finnish forests and lakes yet walking distance away from the effervescent city center.

The conference is organized by the Department of Signal Processing, Tampere University of Technology and Tampere International Center for Signal Processing (TICSP) and sponsored by the IEEE SP/CAS Chapter in Finland.

This is the fourth edition of the conference, held for the first time in Kos Island, Greece, and then held in Istanbul, Turkey, and in Potsdam, Germany. The 3DTV-CON series of conferences originated from the FP6 3DTV Network of Excellence and has gotten continuing support from FP7 projects working in the area of 3D Media.

Plenary Sessions

Plenary session 1: ‘User Issues in 3D Cinema and TV’ by Marty Banks, University of California, Berkeley

Plenary session 2: by Pier Luigi Dragotti, Imperial College London

Plenary session 3: by Jinwoong Kim, Electronics and Telecommunications Research Institute (ETRI), Korea

3DTV Conference 2010 Will Be Held In Tampere, Finland

The Conference is going to be held in Tampere, Finland at Scandic Rosendahl, which is located next to Pyhäjärvi lake. The hotel is surrounded by parks and is next to beautiful Pyynikki ridge, but still only a few minutes drive from the Tampere city center.

3DTV Conference 2010 Call for Exhibitors

Exhibits and demos are an essential part of the 3D-CON event. Experts and professionals working in the field will be seeking information about the latest products, services and prototypes. Educators and researchers will be seeking information about technical publications and specifications, and related equipment for their needs.

We cordially invite you to exhibit at 3D-CON 2010 and establish your foothold in this rapidly expanding area and potentially big market.

The standard exhibitor package costs 1000 EUR and consists of a 3m x 2m floor space (10 ft x 6.5 ft) separated by walls
• electricity, infodesk, printed company name and two chairs
• two full conference packages (with proceedings and company name and contact info in the printed exhibitor list)
Academic publicly funded projects can apply for a free 3m x 2m booth, if there are at least two participants paying the registration fee.

Customized exhibitor packages (booth size, technical requirements, etc.) are available. For pricing and technical requirements, please contact the exhibition chair, Dr. Eng., Heikki Huttunen, and discuss the needs and goals for the event. Contact us via email: exhibition_3dtvcon2010 [at] cs.tut.fi, or by phone: +358-40-849-0799.

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